Recording a podcast can be a fun and rewarding experience, especially if you are hosting a podcast about a topic that you are sincerely passionate about.
In order to be able to record a podcast, you will need to invest in the proper equipment first. You will certainly need a mic as it is a critical component that will allow you to record your thoughts and ideas onto the podcast.
A blue snowball mic is one of the most popular podcasting microphone and tools on the market today. However, even the best mics can record popping sounds when speaking close to them, even if you have a filter. The solution to this dilemma is to invest in a pop filter. This article will discuss in detail whether or not you should invest in a pop filter if you are using a blue snowball.
Before we can begin to answer the question, it is important to explain what a blue snowball is as well as a pop filter. By understanding these products and a bit about how they work and their roles within the podcasting experience, you will be able to make a determination as to whether or not a pop filter is a good idea for your podcast.
What is a pop filter for Blue Snowball Mic?
A pop filter is an accessory that is typically used as a device to filter and protect noise while using a microphone. The pop filter is used to eliminate popping or sounds like “p,” “t,” or “k,” that can happen when the air from your mouth hits the microphone. This is common and sometimes is not avoidable.
The popping noises or static sounds can be a nuisance and will make your podcast sound like amateur hour. To avoid this, podcasters are investing in pop filters so that they can keep the sound quality that is provided by a good microphone.
The pop filter is a simple accessory and may not look like it will do much; however it does help a great deal. The way that the pop filter works is that it allows your voice to travel to the microphone for a clear, crisp sound that is enjoyable to listen to.
However, the mesh filter acts as a blockage so that hard air coming from your mouth hits the mesh and the pops no longer occur. The pop filter will allow you to make higher quality podcast recordings that are professional.
Is it critical to use a pop filter with a blue snowball?
Investing in a pop filter is a good idea as most instances it will be a great asset to your podcast. However, if you are a podcaster who chooses to sit farther away from the mic during recording sessions, you may not find that a pop filter is necessary. The best way to determine this is to look and see how far your desk is set up from where your mic is located. If your mic is located a foot or two away from the desk, you may find that a pop filter is not necessary.
When in doubt, it is best to invest in a pop filter, if for no other reason than not to have to waste your time. It can be frustrating to record a great podcast only to listen to it and find that there is feedback, pops, and static. You can eliminate this from happening by using a filter. Even if you don’t have the snowball mic close to your mouth when you are speaking, it can help eliminate pops when there is a change in the tone or inflection of your voice.
What should you look for in a good pop filter?
There are several components that make up a good pop filter. When you are shopping for the right filter, be sure to pay close attention to the mesh, arm, and clamp.
The mesh will make a difference in the effectiveness of the filter. It is recommended that you use nylon or metal version instead of a cheaper nylon or double mesh type. High quality nylon or metal tend to be more effective.
This will help the filter stay connected to your mic during your recording. The arm is the mechanism that can set a high-quality filter apart from a cheaper version. A cheap version may fall off during recording making it a nuisance to have to put back on without interfering with your recording.
The clamp will help the mic and filter stay into place. It can be annoying to deal with a cheap clamp as you will spend more time adjusting it than you will recording.
Using a pop filter with a blue snowball mic is recommended, however is not required. It is a personal preference and it all depends on the quality that you want your recording to offer to the target audience. If you want to avoid popping noises and other feedback sounds on a recording, it is best to use a pop filter.